PRESS:
Master-Jam Fest - Melvin Taylor performing in Odessa, Ukraine at theINTERVIEWS:
Melvin Taylor, deep within
~ CHICAGO 'N BEYOND
Beyond The Blues - Melvin Taylor
"Back during its hey-day, there was arguably no better place to hear the blues in Chicago than on a Sunday afternoon at the Maxwell Street market. With regulars like Blind Jim Brewer, Jimmie Lee Robinson and Robert Nighthawk holding court on a weekly basis – all fiercely competitive performers who would not surrender their chunk of concrete to just anyone - Maxwell Street was certainly not the place for the meek or the timid to get up and perform. Especially those that were not even at the legal age to possess a driver’s license. And although he may have been a bit on the young side when he made his debut playing on famed Maxwell Street at the tender age of 11, Melvin Taylor was neither meek nor timid. Maybe just a tad bit nervous.” ~ Blues Blast MagazineMelvin Taylor - Anonimity With Style (article/interview)
“As far as the patrons of a Windy City watering hole called Rosas Lounge are concerned, there are really three things in life that you can bank on: death, taxes, and Melvin Taylor on Tuesday night. Unless hes out of town on a short string of U.S. club dates or busy hopping around Europe, he'll most likely be there, dazzling the locals with his monstrous fretboard... Rosas is Taylors turf a place where hes wildly popular for his otherworldly explorations of blues, jazz, funk and rock. He's been the house attraction there for nearly two decades now, and to him, its not just a steady gig its home. A truly accessible modern-day folk hero, Taylor lives upstairs with his girlfriend Jennifer, a seven-month-old son named Morgan, a cat, a goldfish and a yellow Labrador retriever. In Taylors off-hours, hell mingle with the locals, often autographing copies of one of his five CDs.”~ Guitar.com
REVIEWS:
Melvin Taylor - Beyond the Burning Guitar (2010)
“This isn't just a 2-CD set of some unbelievable guitar work from a long-esteemed player of truly formidable skill but rather a treasury that proves beyond doubt that Melvin Taylor needs to be placed within the museum of the guitar greats: Wes Montgomery, George Benson, Chet Atkins, Frank Zappa, Earl Klugh, Jim Hall, Leo Kottke, Robert Fripp, Grant Green, Pat Metheny…all of 'em, regardless of style and genre.”Melvin Taylor - Dirty Pool (1997)
“Electric blues guitarist Melvin Taylor has been sporadically recording solo albums for some twenty-five years now. Even though he's been a hit in Europe for some time now, a steady run of performing in Chicago’s famed blues clubs is slowly earning him a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King, and Stevie Ray Vaughan.”NY Times Review/Music - A Blues Guitarist Takes Off
“Greenwich House, where the young Chicago-based blues guitarist Melvin Taylor performed to a full house on Saturday night at a concert produced by Jazztrack, takes some work to be transformed into a roadhouse. Mr. Taylor did it in a few minutes at most; standing still most of the time and looking a bit like an off-duty accountant, he turned the audience into a shouting crowd who'd cheer his every solo and give him a standing ovation when he deserved it.”~ Peter Watrous -
The New York Times (02/27/1989)
VIDEOS:
Melvin Taylor Blues Band - EvilMelvin Taylor Blues Band - Blues Is The Healer
Melvin Taylor Blues Band - Oye Como Va