Born in New York City, she grew up in Teaneck, New Jersey. Her first
musical instrument was the piano, which she began practicing at age four.
Her singing began while in high school with local choirs and performing with
a few select classical vocal groups across the U.S. and other venues abroad.
Most memorable was a seven-country tour of Europe in 1996 with the U.S.
Youth Chorale. As a student Melissa received numerous awards including 3
gold cups in the New Jersey Federation of Music solo piano competition, top
ranking in the New Jersey all-state choir, and runner up for the New Jersey
Governor's award for vocal music.
Inspired by the classic recordings by Billie Holiday, Dinah Washington,
Nancy Wilson and Sarah Vaughn, Melissa pursued her love of Jazz through
studies of music. She attended the SUNY Purchase Conservatory of
Music, studying with many prominent artists. During her tenure, she appeared
with the conservatory's Jazz and Latin Jazz Orchestras and was featured
vocalist with the Purchase Jazz Band during a 1999 tour of Spain. She
graduated from the Purchase in 2002 with a B.A. in music.
She has since performed as a regular at several of New York's top
jazz venues; Cleopatra's Needle, Flute, G Bar, Smalls, Smoke and St. Nick's
Pub to name a few. At that time, Melissa performed with her own trio; as
well as with other artists in the New York area. She was featured in
performances with Jon Faddis and the Dizzy Gillespie Alumni All-Stars at the
Blue Note in New York in 2001. In 2002 Melissa performed at the New York
Women of Jazz Festival at Smoke jazz club. Around this time she was also a
guest on the Metro TV-NY program "Where to hear jazz in New York City".
Melissa competed and became a semi-finalist in the 2004 Thelonious
Monk International Jazz Competition in Washington D.C., "the most
prestigious jazz competition in the world, hosted by Billy Dee Williams and
Herbie Hancock. Judges for the competition were luminaries Quincy Jones, Al
Jarreau, Kurt Elling, Jimmy Scott, Dee Dee Bridgewater and Flora Purim."
Melissa moved to Los Angeles, California where she pursued a recording career
for a number of years. She has now moved to the Bay Area, where she continues
to perfect her art, and can be heard performing in numerous venues.
REVIEWS:
Revealing Musical Riches: Bay Area Jazz Singers
"Melissa Morgan’s new album, "Days Like This," is more of a reintroduction
than a bold new step. She made a strong impression back in 2009 with her debut
album “Until I Met You” (Telarc), a critically hailed session featuring a stellar
cast of young musicians led by pianist Gerald Clayton... It’s a blues-oriented session,
which means Morgan is in her element. She delivers the title track, a Mose Allison
classic, with such a tart world-weariness that she seems like his long-lost daughter.
She sounds crisp and authoritative tearing through Wes Montgomery’s standard
"West Coast Blues," but her aching version of “You Don’t Know Me” and captivatingly
sultry take on "Wild Is the Wind" make me long for a whole program of Morgan
singing ballads and torch songs."
“For her debut release, Melissa Morgan wanted a gritty, retro vibe
evocative of classic jazz vocal albums of the 1950s and ’60s. She also
wanted to pay tribute to such heroines of that era as Nancy Wilson, Billie
Holiday, Dinah Washington and Sarah Vaughan. On both counts she succeeds
admirably,”
"She is the one we have been waiting for" says Dr. Herb Wong, Asian
American jazz pioneer, disc jockey, historian, critic, and "cool cat" icon.
Those are high expectations that could intimidate the average artist but not
Melissa Morgan who has a mesmerizing stage presence at 5'9" and a voice that
evokes tears and goose bumps because she is "The One" making jazz hip again
for a new generation."
Posted in: Arts-Entertainment, Columns, Music, The Buzz With Fiona Ma
Melissa Morgan's "until i met you" All About Jazz (excerpts)
Many young jazz vocalists reach into the book of standards for their first
recording. Melissa Morgan follows the tradition, but in a way that works to
her advantage.
Personnel:
Melissa Morgan: vocals;
Gerald Clayton: piano;
Randy Napoleon: guitar (1-4, 9);
Joe Sanders: bass;
Kevin Kannar: drums;
Christian Scott: trumpet (1, 3, 6, 8);
Tim Green: alto saxophone (3, 5, 8);
Ben Wendel: tenor saxophone (3, 6, 8);
Francisco Torres: trombone (3, 8)
"The tendency of new recording artists to cover standards can work
against them as they're not giving the audience anything they haven't heard.
However, Morgan succeeds with the combination of her vocal style and
free-spirited arrangements. Until I Met You, named for the Donald Wolf and
Freddie Green classic, is an excellent introduction to Morgan."